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It Was a Mystery in the Desert for 50 Years

14 pointsby nabilhatover 2 years ago

1 comment

politelemonover 2 years ago
The NYT article is trying very hard to paint the &#x27;monument&#x27; in a positive light.<p>&gt; “This is a masterpiece, or close to it,” he said, “and I’m the only one who cares whether the thing is actually done.” &gt; None of that is true. &gt; Except the masterpiece part.<p>As I read the details, I can&#x27;t help but feel that the place is boring but the author is trying to spin it in different, abstract ways, that is, you really need to &quot;get&quot; it.<p>I&#x27;m also spotting details that put it in a negative light for me, as a waste of resources and a monument to hubris, and I don&#x27;t know if it&#x27;s my kneejerk reaction to being told what to think, or whether I&#x27;m saying that the emperor has no clothes.<p>The most glaring is the self contradictory,<p>&gt; This is “democratic art, art for the ages,” is how Heizer describes it.<p>later followed by<p>&gt; Because Heizer fears crowds diluting the experience, the current plan is only six tickets a day — about the number of seats on a SpaceX flight — and only on some days during certain times of year, suggesting long wait times.