It is interesting to juxtapose the feelings of Indian classical musicians towards <i>two</i> Western instruments: the harmonium and the violin. The latter has been so enthusiastically embraced that it has long since displaced even the <i>vīṇā</i> in popularity. The article discusses this matter only briefly, but links to a much longer exposition[1]. In summary, though...<p>Being a fretless, bowed, string instrument, the violin is exceptionally good at the <i>gāyaki</i> ('as sung') style and in bringing out the ornaments, or <i>gamaka</i>, that are so pervasive in Indian classical music.<p>With the violin, there are some modifications to playing style and tuning compared to Western classical and baroque music: <i>pizzicato</i> is extremely rare, and <i>col legno</i> rarer still. The GDAE strings are tuned to <i>x</i>, <i>x</i> + 5, <i>x</i>', <i>x</i>' + 5 respectively, where <i>x</i> and <i>x'</i> are <i>any</i> note and that note an octave higher. Typically <i>x</i> = D♯, E, or F in violin solos, and <i>x</i> = the vocalist's/main artiste's choice of <i>śruti</i> when accompanying.<p>It is for precisely this reason that the harmonium and similar keyed instruments like the piano are eschewed in Indian classical music (barring a handful of exceptions). With so much focus on melody and ornamentation instead of harmony, multiple simultaneous keypresses are incongruous in Indian classical music, and the piano is unable to do any trill, <i>glissando</i>, or equivalent <i>gamaka</i> that the violin, flute, or even the mandolin can. Electronic keyboards are somewhat less frowned upon, because the synthesiser <i>can</i> approximate <i>gamaka</i>s.<p>That said, even today, many conservative listeners will not accept anything but the violin, which has been part of Carnatic music for more than two centuries.<p>[1]: <a href="https://maddy06.blogspot.com/2018/10/the-violin-in-carnatic-music.html" rel="nofollow">https://maddy06.blogspot.com/2018/10/the-violin-in-carnatic-...</a><p>An addendum: My comment has a slight Carnatic bias. The harmonium still exists in Indian classical music today, but it is significantly more popular in Hindustani music than in Carnatic music.