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The Rules of Storytelling According to Pixar

230 pointsby TravisLSalmost 13 years ago

16 comments

shrikantalmost 13 years ago
For those who aren't fans of the pointlessly JS-heavy page, this is the original source: <a href="http://www.pixartouchbook.com/blog/2011/5/15/pixar-story-rules-one-version.html" rel="nofollow">http://www.pixartouchbook.com/blog/2011/5/15/pixar-story-rul...</a><p>io9 hasn't added much else to the original list.
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JumpCrisscrossalmost 13 years ago
&#62;<i>#19: Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.</i><p>With a little bit of retrospection, this seems to be one of the most powerful factors separating the films I've liked from those I haven't.<p>It's interesting to see how storytelling is like modelling - build a hypothetical universe with hypothetical characters and see what plot(s) emerge(s). If it's unsatisfactory, don't change the plot directly, but instead manipulate the characters until the black box spits out something interesting.<p>Reflecting on my recent viewing of <i>Snow White and the Huntsman</i>, it makes sense why Charlize Theron's character managed to get so much more developed than the others' - the character-centric story development process naturally produces a wide distribution of character depths.
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fuzzythinkeralmost 13 years ago
The list applies to developers too. I like these in particular:<p>#5: Simplify. Focus. Combine characters. Hop over detours. You'll feel like you're losing valuable stuff but it sets you free.<p>(substitute characters for features)<p>#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.<p>(when starting a new project, there's so many different directions/visions)<p>#11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you'll never share it with anyone.<p>#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.
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mdonahoealmost 13 years ago
"#9: When you're stuck, make a list of what WOULDN'T happen next. Lots of times the material to get you unstuck will show up."<p>I use a similar technique when brainstorming, after all the obvious good ideas are exhausted. Think of the worst possible way to solve a problem, and then look nearby for reasonable solutions.
wallfloweralmost 13 years ago
If you liked this, I highly recommend reading Stephen King's "On Writing"<p><a href="http://www.goodreads.com/book/show/10569.On_Writing" rel="nofollow">http://www.goodreads.com/book/show/10569.On_Writing</a>
RockofStrengthalmost 13 years ago
A very interesting theory of storytelling is the Dramatica theory of story. <a href="http://storymind.com/dramatica/" rel="nofollow">http://storymind.com/dramatica/</a><p>I believe the movie Contact (any many others) were written with the Dramatica template.<p>This area was how I was introduced to the site (I was investigating Robert Mckee because of seeing the movie "Synecdoche New York"): <a href="http://www.dramatica.com/theory/articles/index.htm" rel="nofollow">http://www.dramatica.com/theory/articles/index.htm</a>
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Vadoffalmost 13 years ago
Blizzard's writing staff would do well to brush up on these rules... Diablo 3's and SC2's writing was absolutely terrible.<p>Oh, George Lucas too.
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kvnnalmost 13 years ago
I'm really happy that this is on the front page. This sort of tangential wisdom makes me a better builder than many acute technical posts do.
sreyaNotfilcalmost 13 years ago
"11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you'll never share it with anyone."<p>This is the theme of my project. Especially the past 2 years. Except I do put it on paper, but actually building the thing always takes a second hand because I keep waiting for the "perfect" solution. I've finally gave up on that idea, because<p>1) i don't have the resources to build the perfect idea 2) it takes too long to wait for something to happen in your head<p>I've recently adopt a motto "hackFast". This means to know what you want to get done and just do it. And not just lazily open up your IDE and selective fix or create things. I mean, to open the IDE and just dominate the code.<p>There's a balance that I haven't achieved yet. There are times when you do need to think of the perfect solution, but until then get the prototype done. You're mind will wrap around the logic and it will eventually fix itself.<p>#11 and #17 goes hand and hand. It all go down to doing it.<p>..I've also been recently reading "Getting Things Done".
TrevorJalmost 13 years ago
I've had the pleasure of hearing various people from Pixar speak. What impresses me most is the attitude of humility and the love of learning the craft the seem to have. I'm pretty amazed they have managed to maintain that after so many hit movies, the temptation to sit back and feel like you've cracked the enigma of storytelling and have it all figured out must be huge.
akgalmost 13 years ago
There seems to be a pretty common message for many of the rules here that encourage trial-and-error and re-doing things. I think that is just brilliant advice for innovation in general not just story writing. Not being afraid to fail and trying things again and again truly leads to amazing results.
habermanalmost 13 years ago
&#62; Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.<p>Ugh. Please, no. I have no training as a fiction writer but as an audience member I hate this. Nothing is more annoying than tension that comes from a totally implausible sequence of events.
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pjgalmost 13 years ago
Substitute the word "character" with "product" and all these rules seem to have remarkable likeness to designing a successful product/building a successful startup
locengalmost 13 years ago
Thanks for posting this. This now gives me the framework to start creating a plot around some ideas I've had floating around and evolving for quite some time.
batistaalmost 13 years ago
I, for one, find Pixar's storytelling extremely naive, paint-by-numbers kind of affair.<p>Like past Disney without the genius (e.g Fantasia, the dark forest scene in Snow White, etc) but with more puns thrown in. Or maybe "animated ho-hum Spielberg" is more apt.<p>Could be OK to take your kid to, but IMHO even kids (or especially kids) deserve better.<p>And not to be accused that I speak without offering an alternative, I think that something like "A nightmare before Christmas" is light years ahead of Pixar's work, in storytelling, artistic vision, and even visually (and I'm not saying that because of its "dark mood". Light stories could also be told in a more artistic way than Pixar's).
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cheatercheateralmost 13 years ago
I have been struggling to produce some form of artistic, or even creative output almost all my life, in different media and contexts, and I have had to learn #14 on my own. Trying hard, and I have thought about this on many occasions, I could not come up with a more essential and fundamental prerequisite to making art. There is so much "art" out there that simply does not have a story to tell. There are so many struggling artists that do not have a story to tell, and they keep wondering why they don't achieve success of any measure. I'm not going to say that realizing this made me insanely successful overnight, but it has given me a direction and hope of ever actually reaching the point at which I can be satisfied with something I have created.<p>However, I think that it is more important than just as a way to make good art. The quote originally reads:<p><i>"Why must you tell THIS story? What's the belief burning within you that your story feeds off of? That's the heart of it."</i><p>I would say that this generalizes to:<p><i>What is the value of what you're doing?</i><p>This is crucial. A lot of people do things without value, or do not focus on the value and let themselves become sidetracked by the whole ritual of their form. What I mean by "the ritual of their form" is the often sizeable set of gimmicks you feel forced to tack onto whatever you are making. For example, every website now "needs" Oauth and social network support and other junk, which is not crucial, but it's something everyone feels they need to have. This sort of ritualistic dance happens in every form of output, be it when they create a computer program, a business (we need to be agile! be green! support the community!), a new philosophy, a new movie, a new bicycle, a new mathematics theorem, a new noodle recipe.<p>The generalized form does lose its potency, though. Applied literally to music, you'd ask:<p><i>What is the value of the music you are creating?</i><p>I think asking <i>What is the story your music tells?</i> is much more accurate. I guess I am trying to say that the word <i>value</i> can be interpreted in different ways, and many of them are not going to get you very far from what you are doing already. For example, when thinking of technology, <i>value</i> is <i>application</i>. So I'd ask: <i>What sort of application can this technology bear?</i><p>If I were going to add anything to Pixar's list, it would be this:<p><i>!!!! KEEP A SCRAPBOOK, ASSOCIATE ENTRIES TO THE VALUES (EMOTIONS, THEMES, APPLICATIONS) THEY EVOKE !!!!</i><p>Yup, all caps, so that you don't scroll past. This was the single thing that boosted my productivity most in the last several years, and it out-classes everything else by very, very far.<p>I currently have two folders under $HOME/Documents, called "creative" and "topics". I first started "topics" where I'd save pages visited, notes, documents, and so on in a directory tree, so for example I have topics/computers/haskell/refactoring/. and topics/electronics/tubes/. and topics/health/bodybuilding/training-plan/. and so on. Later I started noticing that I also visit a lot of creative stuff that I want to keep a track on, which I cannot sort into this rigid system I built under "topics" because it evoked emotions, rather than ideas of practical applications. I guess that this is my <i>Starship &#38; the Canoe</i> (and if you haven't read the book, at least read a summary). The "creative" system came into place a bit after I started trawling Youtube for music I like, and decided to sort it according to emotion. I now have 59 private playlists, with entries like "feeling of optimism and inner peace", "peril / 70s car chase", "hanging at the peak", "hyped", and "pleasant summer sun", many of those have more than 20 entries. Some of the names won't make much of a sense to anyone but me. My "creative" directory contains entries like "beauty", "inspirational", "introversion", "poverty", "trippy", and so on.<p>If there was only one thing they were to teach me during primary and high school, I wish it was how to do this. Sadly, they didn't. As many people, I can't really pinpoint one skill I use every day that school has taught me.
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