These ideas sound a lot like one of the more amusing texts by Marx that I rediscovered just the other day. In Swedish it's called "brottets produktivitet" which roughly translates to "the productivity of the criminal".<p>With every crime a chain of business emerge where only first link is in itself criminal. For the internet security companies, graffiti removal services, security consultants, lawyers, anti-theft system resellers, locksmiths, insurance company and so on – it's business as usual.<p>I've found a part of text here: <a href="http://www2.cddc.vt.edu/marxists/archive/deleon/pdf/1905/apr14_1905.pdf" rel="nofollow">http://www2.cddc.vt.edu/marxists/archive/deleon/pdf/1905/apr...</a><p><i>“A philosopher ‘produces’ ideas, a poet poems, a preacher sermons, a professor text-books, and so forth. A criminal ‘produces’ crimes. If we look more closely at the relation in which this branch of industry stands to society, not a few prejudices will drop.
“It is not crimes alone that the criminal ‘produces’; he also ‘produces’ criminal legislation, and, as a consequence, he is also the first mover in the ‘production’ of the professors who ‘produce’ lectures thereon, along with the inevitable text-books in which these professors cast their lectures as ‘goods’ on the markets of the world. . . .
“Furthermore, the criminal ‘produces’ all the criminal and correctionary branches of society—police, judges, hangmen, juries, etc., besides all the several branches of industry demanded by these, and all of which constitute just so many categories in the scale of social labor, develop different faculties of the human mind, create new wants and new means whereby to satisfy them. . . .
“The criminal ‘produces’ an impression—good or bad, as the case may be. He thereby ‘renders a service’ to the moral and aesthetic sentiments of the public. It is not only text-books on criminal legislation that the criminal ‘produces’; he ‘produces’ not merely the penal law itself, and consequently the legislators of that law. He also ‘produces’ art, literature, novels, even tragedies as shown by the appearance of Mullner’s Tanjte, Schiller’s Robbers, the Oedipus, and Richard III. The criminal breaks the monotony and humdrum security of bourgeois life, he thereby insures it against stagnation, and he arouses that excitement and restlessness without which even the spur of competition would be blunted. Thus the criminal furnishes the stimulants to the productive forces.”</i>