EFF is leaving very important details out about at least Kirtsaeng. What's happening in that case is not simply that publishers are trying to claw back rights from US consumers. Supap Kirtsaeng took advantage of discounted pricing that Wiley offered students in poorer countries to arbitrage prices. This trick is called "parallel importation" (or "grey market importation") and it's a legal grey area, especially where copyright is concerned, turning on whether owners exhaust the right <i>to import</i> on first sale.<p>In short, the defendant in Kirtsaeng is taking advantage of a discount program Wiley never intended to offer that defendant in the first place in order to subvert Wiley's whole pricing scheme. Whether Wiley can use a legal argument about first sale to stop this or not, it seems apparent that Wiley will one way or another prevent that from happening.<p>Knowing HN, these details probably don't do much to change your view of the case. But you should still want to know them! This is something the EFF used to be good at, but now is quite bad at, and despite the fact that EFF mostly supports causes I agree with, I urge you to direct your donations to ACLU or other civil liberties charities instead.
I'm fine with first sale not applying to digital goods, but then you cannot call it buying but must call it renting instead. But of course, if amazon was honest and replaced the 'buy' button on a kindle book with a 'rent' button, people would be outraged at the price.<p>If i cannot leave something to my son in my will, it was never mine to begin with. You can't inherit kindle books, so it's obvious that you don't buy them either. There's no such thing as "buying a license", legally speaking that's called "renting".
Bravo, EFF.<p>The Kirtsaeng case is quite important because, if lost, it would create a loophole to destroy "first sale" in the U.S. entirely. Just cease manufacturing any sort of copyright material in the U.S.; move ALL production to Mexico or China. If the Kirtsaeng case is lost, reselling any of those works would become illegal, eliminating used book stores and similar enterprises entirely. And indeed, this could apply to any product with writing on it or code in it - massive incentives to move all production of such things out of the U.S., since then you would be able to prevent ANY secondary sales of your product.<p>VERY important case, with massive implications for the future structure of U.S. society and the economy.
The argument is actually about what you own. Is it the media or a license for one person to play it?<p>Most people I know are fed up with such word games and just plain old steal the bits and bytes (well duplicate them - whether or not that is stealing is another question). The media industries are just hanging themselves even more by the day. I don't see any tears being shed.
At what point do we realize that these people are simply trying to extract rent from our electronic communications, and we should circumvent them at any opportunity, and punish the politicians who are bought off to give them power?
The copyright owners have a bigger problem than what they may consider unauthorized copying. Drawing attention to compositions in sound and vision has become so much more difficult because it has become so much easier to distribute them. The scarcity has gone and so has the price. Quite a bit of the value has now decisively shifted to compositions in touch, smell, and taste, which cannot be distributed digitally.