This was easily one of the wittiest and funniest articles I've ever read from a British author...<p>But why shouldn't vampires be more lauded than Victorians? Why should Jane Austen, with her painfully circumlocutions, be more academically welcome than that woman (forget her name) who wrote 50 shades of gay? In many ways, old "classical" works are telling the exact same stories as modern "trash novel" works, except the modern "trash novel" works are doing it in such a way that is clear, simple, relevant (to today's audience), and thus free of misunderstandings. From them, through clever literally mental contortions, one can still elucidate all the themes, lessons, and humanities like you could from confounding classics - just less obfuscated like "there is no place like home" instead of "lost is my homecoming", "...and then they had sex and fell in love..." instead of "... I profane with my unworthiest hand this holy shrine, the gentle fine is this...", etc.<p>And who says the arts are dying? The arts are vibrant and alive in today's web-comics, video games, movies, and tv-shows. The medium has changed from a completely closed system of ink and paint to a modular, copyable, and distributable one of .mdl files, computer images, and carrier streams. It's just intentionally confusing junk like cubism, poorly drawn junk like medieval art, and inhumane junk like pyramid building that's gone away.<p>The pressure to have to constantly monetize, I'll admit, is painful... but that primarily hurts the large institutions who have bottom lines that must be covered. And in my opinion as a flexible small business kind of guy, that's a good thing. Large institutions were necessary for centuries for individual survival at the cost of individual self-actualization, but in today's flexible scale era, it's entirely possible to just be good at something and survive without having to give up your soul to a large corporation. In that case, going small, lean, and individual is the way of the bright future.