As a club DJ who selects and plays in a digital format now, I like to leave clicks and pops in when digitizing my "white-labels" or vinyl-exclusive releases (some of the best or most coveted tunes are released on vinyl first in very small runs, months before they are available as downloads). I like to normalize then run the recording through Izotope's Ozone 7 on the "warm and transparent" preset to get it closer in loudness to digital releases I am mixing them with. There is a small community of us who share rips of this type of release from around the world, online, as the best place to pick a lot of this kind of record up is in smaller local genre-specific shops. Black Market soho in London was a Mecca of mine or Rooted Records in Bristol but I live in Cali now and have a hard time keeping up my share ratio but still get a rush when I get a great vinyl rip of a tune earlier than most. It is silly and matters very little to my livelihood but an old tradition in dj'ing that I am glad still survives (having tracks the next Dj doesn't, that is).