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Stanley Kubrick’s life as a still photographer

36 点作者 pzaich大约 7 年前

1 comment

dingaling大约 7 年前
Now that explains much of his eye for composition.<p>Mr Kubrick&#x27;s obsession with light motivated him to shoot all the candle lit scenes of &#x27;Barry Lyndon&#x27; without supplemental lighting, using three Zeiss f&#x2F;0.7 lenses. He wanted audiences to see what the characters saw.<p>Only ten such lenses were ever made and are still the fastest apertures ever used in filmmaking<p><a href="https:&#x2F;&#x2F;m.dpreview.com&#x2F;articles&#x2F;9811242514&#x2F;kubrick-s-f-0-7-lenses-now-available-for-rent-but-start-saving-up" rel="nofollow">https:&#x2F;&#x2F;m.dpreview.com&#x2F;articles&#x2F;9811242514&#x2F;kubrick-s-f-0-7-l...</a><p>And very difficult to use, too; depth of field of a 50mm f&#x2F;0.7 lens is about 20cm at 5 metres! So to keep his subjects in focus he had the actors move only sidewards in those scenes!