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Dear Young Artist [pdf]

35 点作者 dmurthy大约 4 年前

7 条评论

5mixer大约 4 年前
&gt; Art is made to explore the world and the culture, to explore the chosen medium, to explore one&#x27;s self.<p>Creating for such purposes is admirable.<p>In my mind, tech is a mirror reflection of art; it (usually) starts from the context of a business or out of cold practicality, and occasionally rises to craftsmanship. Code rarely stands on beauty alone though, unlike art.
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gdubs大约 4 年前
I studied art at Bard. Some of my best memories are late nights in the studios, everyone burning the midnight oil, and exploring the various installations people were building.<p>A lot of the professors were &#x2F; are working artists — living in NYC, showing in galleries. Some are older luminaries.<p>Stephen was always a great presence and an inspiration to everyone. (The various arts departments were all very close.)<p>The part at the end of his letter reminds me of what Robin Williams said about reading “Goodwill Hunting” for the first time. He was like, “this is all about lived experience. How did these two young guys manage to write this?”<p>Ultimately there’s no shortage of talent in the world. What’s unique about a place like Bard is the community, the life experience, and the focus on becoming a student of all areas of life and academics.<p>Another favorite quote of mine was from a visual effects artist who worked on sci-fi shows in the 90s. He said, “you can learn all there is about making movies - but you need to have something to make movies <i>about</i>.”<p>In terms of commercialism, selling out, earning a living — whatever you want to call it: Andy Warhol has his big break when he was still drawing shoes for clothing companies, and Harrison Ford was working construction when he got his first break.
Daub大约 4 年前
To me this missive reads as a response to some specific questions. It would have been nice to know what those questions were.<p>As an art teacher, I would not dream of writing something like this to a former student. It seems well-meant, but it also comes across as rather trite and not a little preachy.
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__jf__大约 4 年前
We all know what &quot;have a show in Chelsea&quot; looks like today. The distribution model changed radically, but the personal drivers didn&#x27;t. Surprisingly, the rise of new platforms only temporarily affected the old way&#x27;s economics if you look at the number of photobooks published in the Netherlands. Until the first peak in 2005, these increased linearly, plateaued until 2012, and reached a new peak in 2017. While the supply of digital photography expanded, apparently so did the supply of physical photography books.
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wombatmobile大约 4 年前
About Stephen Shore<p>Stephen Shore&#x27;s work has been widely published and exhibited for the past forty-five years. He was the first living photographer to have a one-man show at the Metropolitan Museum of Art in New York since Alfred Stieglitz, forty years earlier. He has also had one-man shows at George Eastman House, Rochester; Kunsthalle, Dusseldorf; Hammer Museum, Los Angeles; Jeu de Paume, Paris; and Art Institute of Chicago. In 2017, the Museum of Modern Art opened a major retrospective spanning Stephen Shore&#x27;s entire career. He has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts. His series of exhibitions at Light Gallery in New York in the early 1970s sparked new interest in color photography and in the use of the view camera for documentary work.<p>More than 25 books have been published of Stephen Shore&#x27;s photographs including Uncommon Places: The Complete Works; American Surfaces; Stephen Shore, a retrospective monograph in Phaidon&#x27;s Contemporary Artists series; Stephen Shore: Survey and most recently, Transparencies: Small Camera Works 1971-1979 and Stephen Shore: Elements. In 2017, the Museum of Modern Art published Stephen Shore in conjunction with their retrospective of his photographic career. Stephen also wrote The Nature of Photographs, published by Phaidon Press, which addresses how a photograph functions visually. His work is represented by 303 Gallery, New York; and Sprüth Magers, London and Berlin. Since 1982 he has been the director of the Photography Program at Bard College, Annandale-on-Hudson, NY, where he is the Susan Weber Professor in the Arts.
jhunter1016大约 4 年前
When I got my masters in creative writing, the program director told us, almost daily, not to expect to make money from our writing. We would not be getting rich. It was a harsh, but realistic view. His point was that we should be writing for the right reasons. You shouldn’t be creating so that you become the next Stephen King. You should be writing to express your views and commentary on the world around you.
wombatmobile大约 4 年前
Here&#x27;s another piece of writing from Stephen Shore&#x27;s website, describing Benoit Mandelbrot&#x27;s fractal geometry. The context Shore gives is different to that of a mathematician or an engineer, and yet harmonious with and complementary to both.<p><a href="http:&#x2F;&#x2F;www.stephenshore.net&#x2F;writing&#x2F;fractal.pdf" rel="nofollow">http:&#x2F;&#x2F;www.stephenshore.net&#x2F;writing&#x2F;fractal.pdf</a>