Her take on album conception and production is spot on.<p>Great albums can be appreciated as an atomic thing, one whole listen start to end. One can tell a much bigger story, have depth, character, and other higher order constructs to tickle the minds of an audience with.<p>I am not sure just forcing it is the right way to go. And the including of other tracks, forced impressions, or at the least, hard to avoid "discovery times" is either.<p>For me personally, I much prefer doing it all the old school way, made easier with the tools we have today. Talking with people, listening to tracks, albums, sharing impressions.<p>If someone is selecting the music, great! Let them take me somewhere and create the impression, mood, story.<p>I get a lot out of those human interactions centered on music. Great stuff and the relationships one forms doing it are the best.<p>Of course none of that scales, and maybe it shouldn't. Fine with me because the special remains so.