I have been learning and teaching hard things for my whole adult life (music, juggling, various kinds of performing mostly, but also self taught comp sci). My personal conclusion, from personal observation and a lot of talking with people who have taught very high level musicians for decades, is that Learning Styles is an excuse for people to skip the kind of work that is hardest for them, and in doing so, sabotages progress. If you really want to get good at something that is hard for you, you should work on it in the way that is least comfortable for you more than what is comfortable. Also, I've noticed I never hear "this is my learning style" from people who really know how to teach themselves and I frequently hear it from people who really just don't want to work.<p>I spent decades playing jazz using mostly what I would now call compensatory techniques because ear training is so much harder for me than theory and harmony. I only became a really good player when I spent a VERY long time learning in the least comfortable and most humbling way for me.<p>The biggest issue is that most of the time learner is <i>not</i> qualified to determine which style works best for them, and confuses what <i>feels</i> best for what <i>works</i> best. Someone who has taught hundreds of people for many years knows what works (like my university teaching musician friends). And they never talk about learning styles.<p>That said, there definitely are people who are much better at the sub-skill exercised <i>by</i> a certain modality. But this is not a proxy for <i>progress</i>. My example, I could learn chord progression arithmetic very easily. So I would be seen as someone who learns music mathematically. But that's wrong, that's just what I happen to be good at, not how I <i>learn</i>. Focusing on it for many years was exactly the opposite of what would have given me maximum progress.<p>It's not just a myth, it's a trap.