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PAL Colour Recovery from black-and-white ‘telerecordings’ (2008)

82 点作者 madflame991超过 2 年前

6 条评论

hilbert42超过 2 年前
In Australia before the official introduction&#x2F;launch date of PAL colour television in 1975 it was a requirement of the then, now defunct, broadcasting regulator, the ABCB - Australian Broadcasting Control Board for television stations to remove any colour content from their TV broadcasts. (During the conversion period leading up to the launch stations would run a mixture of B&amp;W and colour material within their stations).<p>To comply, stations would strip the colour burst from the TV video sync block before it was broadcast. This infuriated many propeller-head techies and nerds, myself included.<p>To overcome the problem, the 4.43 MHz colour subcarrier in the broadcast video which wasn&#x27;t deliberately stripped out was used to reconstitute the colour burst. This was achieved by modifying standard PAL colour TV sets (which weren&#x27;t that difficult to obtain) with the addition of some subcarrier-extracting filters and appropriate phase-locking&#x2F;modifying circuitry. This was a bit tricky, as the reference phase was no longer there and the fact that it was a PAL signal (PAL - Phase Alternating Line encoding).<p>In fact, I recall at the station I was working for at the time we had a modified TV set in the engineering department working in colour from off-air signals (one of my colleagues was a past master at tweaking up sets this way).<p>Perhaps a bit of broadcasting history trivia but it sure shows the colour recovery technique in this story wasn&#x27;t the first effort.<p><i>Edit: Incidentally, the same trick was used on source material such as quadruplex videotape that already had the burst stripped at other locations.</i>
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timonoko超过 2 年前
Black&amp;White-tv was almost HD, 625x625. Then they added 3Mhz color-carrier in 1966 and it was 300x300 with this color-furze on top. This sucked so much. There was nothing I wanted see in living color. Especially winter-sports were mostly BW.<p>I remember that color movies sucked also in 1950s. Technicolor has annoying fuzziness around objects. See Wizard of Oz.
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londons_explore超过 2 年前
This is a perfect use for image to image ML models...<p>Throughout one recording, the phase shift caused by the distortion of the glass screen is probably approximately the same - and therefore could be learned.<p>Then for the actual decoding, certain elements of the frame should be of approximately known colours - for example someone&#x27;s face should be skin colour. That then informs the colours for neighbouring objects, since over a small area phase is consistent.<p>Applying such techniques repeatedly over the whole video, trying to minimize inconsistencies, I&#x27;d bet you can get really good results.
Jaruzel超过 2 年前
This was used to good effect to &#x27;recolour&#x27; the black and white versions of old Dr Who episodes due to the colour originals having been lost&#x2F;destroyed.
powlow超过 2 年前
This is from 2008 - what are the newer developments in this space?
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dannyw超过 2 年前
A great video series on analog TV and color:<p><a href="https:&#x2F;&#x2F;youtu.be&#x2F;dX649lnKAU0" rel="nofollow">https:&#x2F;&#x2F;youtu.be&#x2F;dX649lnKAU0</a><p><a href="https:&#x2F;&#x2F;youtu.be&#x2F;InrDRGTPqnE" rel="nofollow">https:&#x2F;&#x2F;youtu.be&#x2F;InrDRGTPqnE</a>