This is excellent not only as a question about the intrinsic value of information, but this piece also implicitly, even involuntarily, makes a negative statement about the valuation of conceptual art, of which this piece is an example. I read in this something akin to Epimenides Paradox (i.e. the value of this work is in showing how works like this have no value.)<p>The question pertaining to whether or not this is really art isn't very interesting. It's an old argument. What I find fascinating are the very passionate arguments against things labeling things like this art, sometimes coming from people who might not even follow art.<p>The objection must stem from the fact that the term 'art' automatically connotes a cultural/economic value and a signifier of class. There is a legitimate worry that the message from the art world is that you just aren't very impressive if you aren't just infatuated with Kadinsky, De Kooning and, by some perverse extension, Jeff Koons.<p>Calling something an installation like this art has the value of framing a very, very specific statement: something would be lost by not calling this art. That said, I wouldn't buy this, nor make any effort to see it in person. That would hardly be necessary. Nor would I label someone who didn't 'get' this a 'prole' or 'not with it' (as if my opinion counted.)<p>Still, this would not be enough to sway one holding on to a conservative definition of art. His or her value as a human being is at stake. Who can blame them? It's a shame, because these political concerns limit art in many thousands of tiny ways with a net result of making a more boring world. I guess politics of status limits activities in many other ways. Nothing new here.