The author gave a nice general overview of the topic.<p>But the thing is, none of these technical things are essential.<p>Like a lot of people here (me included, but I am actively trying to get rid of it) the author has an engineering mindset, that was built (I am just guessing here) through years and years of engineering work.<p>And it is really cool and may give an advantage in some professions (and sometimes in life overall), but it is not the best approach to photography or in any other arty topic where one could not objectively measure pleasure and value, and where aesthetic perception is the main definition of something being excellent and desirable.<p>People often forget that photography is still mostly an art form. And in art, the most important aspect is provoking some kind of emotional response (folks mostly pursue pleasant ones, but it is not limited to that).<p>To understand lenses, focuses, and shutter speed
how much time does one need? A couple of days? Weeks?<p>It is objectively easy to learn the rule of thirds, focal points, white balance, etc. But which white balance makes beautiful images? Which calculations would make your friends adore their faces in the photo?
I have no answer to that, do you?<p>Should images be dark, moody, and sharp like Roger Dickens's cinematography to be likable? Or dark, blurry, and saturated like Wong Kar-wai movies? Or they should be bright, light, and symmetrical like Wes Anderson's fairytales?? Or grainy and geometrically precise like Henri Cartier-Bresson's works? Or maybe images need to be provocative, erotically charged black-and-white photos, fashionable and borderline pornographic like Helmut Newton's works?<p>There are a lot of cases then some person with a developed sense of beauty creates unimaginably stunning photography by using a smartphone build-in camera, but even more cases when someone with a pricey a-la Hasselblad, titan tripod, cinema-level lenses, 5-point professional lighting, and a long list of detailed photogear videoreviews making the most boring and forgettable images possible.<p>Feelings > Any technical aspect, rules, or calculations<p>I am not saying that knowing your tools is not important at all, but it definitely less important than the internet wants it to be.
For example, I know a Magnum agency photographer who takes all his photos with any digital SLR in auto mode (p-mode). And he adores Instagram.<p>So for any person who wants to start into photography (but not photography-related technology), I suggest watching a lot of photo books and cinematographically superior movies (all by critically acclaimed authors), visiting classical art museums, and for all costs avoiding any online photography communities.<p>And you should take as many photos as possible every day. Not only on vacations or holidays but just as a visual diary with colors that you found beautiful, unusual patterns that you start to see around, and unexpected shapes that things around us are forming.<p>Aesthetic goes first. It should be like a tingling feeling on the tips of your fingers when you see something interesting. Then from it go lighting, composition, and color. And these three are codependent.<p>You need to start seeing light, feeling colors, and thinking in shapes.
Need to develop your sense of beauty and your watchfulness/visual awareness/contemplation (sorry, I don't know how to translate this properly).<p>One cannot create beautiful photography if one does not know what beauty is.