Having seen quite a few of these, amongst the feeling of validation I can't entirely shed a sense that this is also a list informed by snobbery, and the trans-epochal hipsterism of "It's only cool because I said so and now you say it, its not cool" movement.<p>Some of the experimental, art-house films are in the bucket of "massively influential, but not that many people watch it all the way through" Like Chien Andalou. -And speaking of Luis Buñuel how come only his b&w stuff gets "in" and not "the discrete charm of the bourgoisie" or "that obscure object of desire" or "Belle Du Jour" It's really in the end, about a bunch of prefereneces weighted by "everyone else's eyes are on me"<p>The more recent and high score films tend to box office. It's also heavily weighted into specific genres and styles. One Indian movie, despite the massive weight of Indian film production.