As a game developer, I find eased tweens with a preset duration better for most UI use cases. However, this other type of animation is extremely useful when you want to smooth a movement that is continuous/unpredictable, with no definite start/end point. Think for example a tile being dragged-dropped on a grid, snapping to the grid as the player moves the mouse, or indeed, the article's example of moving a camera around.<p>For these cases, the exponential lerp trick is very useful, and not universally known. There are many games (some of mine included!) that use the less correct linear lerp and run into trouble with their animations feeling completely off once somebody runs the game on a 240 Hz monitor, or anything different from the 60fps that used to be standard.<p>For this reason, I appreciate the article. It's usually hard to access this type of hyper-specific knowledge, as it is most often passed as an "apprentice-style" oral tradition from the senior people on a team to the more junior members.