The beginning of the end came in 2017.
[…]
The walls of Vice’s sprawling Brooklyn headquarters were lined with magazine covers charting the company’s transformation from insouciant Canadian post-punk magazine to money-printing media colossus. In early 2018, long before college students discovered that dispatching problematic statues into canals would be reliably met with institutional approval, a group of employees demanded that the covers be removed from the walls.
Not a specific cover. All of them.