Tuning Timbre Spectrum Scale

This is an interesting premise.<p>The timbre of instruments largely due to the harmonics that they exhibit, and for natural instruments these tend to be simple whole number ratios that we replicate in our scales in just temperament, and approximate more flexibly in equal temperament.<p>I had never considered what scales a synthetic sound with unfamiliar harmonics would sound best in.<p>Edit: Not even synthetic instruments, but Gamelan instruments too! Oh so cool, I&#x27;ve seen many Gamelan performances and its very exciting as a musician to hear such a rich and different paradigm.

Fantastic find, thank you. Many explorations of nonstandard tunings simply focus on how pure are the various intervals one can form in the tuning. But timbre really does play a crucial and often neglected role. It&#x27;s been known for a long time for example that carillons, whose overtones more closely approximate a minor chord, sound more consonant when harmonized according to this knowledge.