>Yet soon a social media missive critical of the attraction from Walt's granddaughter would go viral. It raised anew ethical questions that often surround any project attempting to capture the dead via technology, be it holographic representations of performers or digitally re-created cinematic animations, namely debates surrounding the wishes of the deceased and whether such creations are exploitative.<p>Exactly the same reaction happened when Disney developed the first Abraham Lincoln animatronic for the New York World’s Fair in the 1960’s.