Footnote one is where the whole thing goes off the rails. The Copyright Office asserts that the works in question are not merely "data" in the ordinary sense, but somehow "embody creative expression" in a way that constitutes protected authorship.<p>This is metaphysics, not law or computer science.<p>They're smuggling in a kind of authorial transubstantiation, as if creative essence somehow imbues the bits themselves, rendering them qualitatively different from any other arrangement of bytes. The implication is that once a work has passed through the sacrament of human intention, it permanently carries a kind of spiritual copyright residue, regardless of its subsequent transformation or use.<p>But that's not how data works. A copy of a copyrighted work in a training corpus is still just data. It doesn't emit rights. It's not radioactive. There's no Platonic form of "authorship" that permeates the latent space. What matters, legally, and practically, is what the system does with that data, not some mystical essence the data supposedly contains.<p>This is authorial essentialism dressed up as policy. And it doesn’t hold up under inspection.